Alena Kotzmannová
(*1974)
193 m n.m.
installation, 14 x 3,2 x 4,8 m, sculpture terrace
(23.10.2009 - 5.4.2010)
Jindřich Chalupecký Award, Final 09, DOX, Prague
"Brothels and colonies are two extreme types of heterotopia, and if we think, after all, that the boat is a floating piece of space, a place without a place, that exists by itself, that is closed in on itself and at the same time is given over to the infinity of the sea and that, from port to port, from tack to tack, from brothel to brothel, it goes as far as the colonies in search of the most precious treasures they conceal in their gardens, you will understand why the boat has not only been for our civilization, from the sixteenth century until the present, the great instrument of economic development (I have not been speaking of that today), but has been simultaneously the greatest reserve of the imagination. The ship is the heterotopia par excellence. In civilizations without boats, dreams dry up, espionage takes the place of adventure, and the police take the place of pirates" .
Monika Havlíčková
(*1975)
Horses
cement glass, café terrace
195 x 167 x 53 cm
(2006)
(courtesy Galerie Gambit)
Veronika Psotková
(*1981)
Grandpa's garden
(5.6. - 7.9.2009) FINISHED!
rabitz netting, wire, nano- coat (3 figures), synthetic coat
2009
(sculptures were also part of the exhibition DOXNANO)
"Grandpa's Garden" is timeless and fictive gathering. Inspiration to me was a particular place, it's memory and atmosphere. Here are family and friendly meetings in a spirit `of purgation as if the garden expected any discourse of anyone and anything."
